{"id":33432,"date":"2022-12-30T09:09:16","date_gmt":"2022-12-30T01:09:16","guid":{"rendered":"https:\/\/www4.hkbts.edu.hk\/?p=33432"},"modified":"2024-01-31T12:36:38","modified_gmt":"2024-01-31T04:36:38","slug":"%e5%9c%a3%e4%b9%90%e7%9a%84%e4%bc%a6%e7%90%86%e5%a1%91%e9%80%a0%ef%bc%9a%e4%bb%8e%e8%b4%9d%e6%a0%bc%e6%af%94%e7%9a%84%e7%a0%94%e7%a9%b6%e5%88%87%e5%85%a5","status":"publish","type":"post","link":"https:\/\/www.hkbts.edu.hk\/zh_cn\/?p=33432\/","title":{"rendered":"\u5723\u4e50\u7684\u4f26\u7406\u5851\u9020\uff1a\u4ece\u8d1d\u683c\u6bd4\u7684\u7814\u7a76\u5207\u5165"},"content":{"rendered":"<h3 class=\"has-black-color has-text-color wp-block-heading\"><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong>Sacred Music: Its Ethical Formation, Approaching through Jeremy S. Begbie<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/h3>\n\n\n\n<h3 class=\"has-text-color wp-block-heading\" style=\"color:#235ba8\"><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong>Andres S. TANG<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/h3>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Firstly, this paper introduces the analysis of the temporal structure of music by Jeremy S. Begbie. The basic \u201ctension-resolution-equilibrium\u201d in various levels of a piece of music constructs the temporality of music, which enriches the dynamic quality of the rhythm and melody with a\u00a0<em>telos<\/em>\u00a0or direction. Secondly, by exhibiting the unique temporalization of Christian life through the device of the Christian year, this paper advocates that the church music performed in worship corresponds to the temporality of the Christian faith seen in the twin foci, Christmas and Good Friday\/ Easter, as well as the link between these two events \u2013\u2013 the Advent. Both of them are characterized by the spiral forward movement of time. Thirdly, such a unique Christian temporality re-created in worship helps to nurture and shape the ethical virtues of Christians, namely, following God&#039;s time by waiting in patience and hope. All creatures are going to grow into themselves in their own God ordained time. Christians are able to learn this through the church music performed in the worship so as to be different when viewing and practicing their lives in this way.<\/p>","protected":false},"excerpt":{"rendered":"<p>Sacred Music: Its Ethical Formation, Approaching through Jeremy S. Begbie Andres S. TANG Firstly, this paper introduces the analysis of the temporal structure of music by Jeremy S. Begbie. The basic \u201ctension-resolution-equilibrium\u201d in various levels of a piece of music constructs the temporality of music, which enriches the dynamic quality of the rhythm and melody with a telos or direction. Secondly, by exhibiting the unique temporalization of Christian life through the device of the Christian year, this paper advocates that the church music performed in worship corresponds to the temporality of the Christian faith seen in the twin foci, Christmas and Good Friday\/Easter, as well as the link between these two events \u2013\u2013 the Advent. Both of them are characterized by the spiral forward movement of time. Thirdly, such a unique Christian temporality re-created in worship helps to nurture and shape the ethical virtues of Christians, namely, following God&#039;s time by waiting i<\/p>","protected":false},"author":135,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[162,192],"tags":[],"class_list":["post-33432","post","type-post","status-publish","format-standard","hentry","category-162","category-192"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u8056\u6a02\u7684\u502b\u7406\u5851\u9020\uff1a\u5f9e\u8c9d\u683c\u6bd4\u7684\u7814\u7a76\u5207\u5165 - \u9999\u6e2f\u6d78\u4fe1\u6703\u795e\u5b78\u9662<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.hkbts.edu.hk\/zh_cn\/?p=33432\/\" \/>\n<meta property=\"og:locale\" content=\"zh_CN\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u8056\u6a02\u7684\u502b\u7406\u5851\u9020\uff1a\u5f9e\u8c9d\u683c\u6bd4\u7684\u7814\u7a76\u5207\u5165 - \u9999\u6e2f\u6d78\u4fe1\u6703\u795e\u5b78\u9662\" \/>\n<meta property=\"og:description\" content=\"Sacred Music: Its Ethical Formation, Approaching through Jeremy S. Begbie Andres S. TANG Firstly, this paper introduces the analysis of the temporal structure of music by Jeremy S. Begbie. The basic &#8220;tension-resolution-equilibrium&#8221; in various levels of a piece of music constructs the temporality of music, which enriches the dynamic quality of the rhythm and melody with a\u00a0telos\u00a0or direction. Secondly, by exhibiting the unique temporalization of Christian life through the device of the Christian year, this paper advocates that the church music performed in worship corresponds to the temporality of the Christian faith seen in the twin foci, Christmas and Good Friday\/Easter, as well as the link between these two events \u2013\u2013 the Advent. Both of them are characterized by the spiral forward movement of time. 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